THE ARTIST

ABOUT ME

I am a self-taught woodturner that has been turning for about twenty years. My interest in segmentation
began after reading an article in Fine WoodWorking magazine. After  turning my first segmented bowl, I
knew I was hooked. Only in the last few years has my life allowed me to turn seriously.  I enjoy segmented
turning because of the complexity and unlimited possibilities it offers.  



I love to see my ideas take shape as the different species of wood are cut and arranged into bowls. It will
take anywhere from a week for a simple design to a month for the most intricate design to be completed.
Sometimes I will let a partially done bowl sit for a few months if I am not completely satisfied with the
way it is turning out. I will keep looking at it as I work on other pieces trying to visualize what I need to
make the piece work.


FAMILY

I have been married for twenty-eight years with three wonderful children and four great little grandkids.
My wife Kim and I live in rural southeast Indiana not far from the mighty Ohio River.  I worked for twenty-
five years as an automatic screw machinist. Because of health reasons I was forced to get out of the
profession and returned to college for nursing and now work as such in a local hospital.

My Shop

My shop is 24x20 feet with an 8x10 foot "clean room" for finishing, drafting, and my electronics. Because
of my machining and engineering background I have the luxury of designing and building my own
machines and fixtures for my specific needs. I mainly use a lathe I built twenty years ago but also have
three other lathes I use for different tasks from time to time.
































My Work

I don’t use fancy computer programs to draw or design my work. That is done in my head and at the
drafting table and evolves as the turning progresses.  All my pieces are one of a kind except for the
occasional piece that someone has seen and contracted for another of the same design. The second piece
will never be exactly the same, therefore each piece is different in its own way.


Many of my pieces are inspired by ancient Indian designs and symbols. I am amazed by the simple but
captivating use of color and angles the native Americans used to decorate their textiles and pottery.


Materials

I use domestic woods from local sources as well as exotic woods from all around the world. Some of the
most interesting woods are from local sources that probably would have ended up in someones fireplace if
not rescued to become a lasting piece of beautiful art. The wood is used in its natural state, no dyes or
coloring except for thin veneers used for highlights and accents.

A list of some commonly used woods,
Domestic                                                       Exotic
          Maple                                                                                   Bloodwood
     Walnut                                                                                
 Bubinga
            Cherry                                                                                  Canarywood
   Hickory                                                                                Wenge
 
   Various fruit species                                                        Padouk
      Oak                                                                                      Goncala Alves
       Ash                                                                                      Satin Ash
         Sycamore                                                                           Brazilian Cherry
 Osage Orange                                                                   Ebony
                                Locust                                                                                  Zebrawood                               
      
GREG'S
TURNINGS